Anadolu Kültür-uniting east and west with culture

Güncelleme Tarihi:

Anadolu Kültür-uniting east and west with culture
Oluşturulma Tarihi: Kasım 15, 2008 00:00

ISTANBUL - The purpose Anadolu Kültür, a non-profit organization, is to enable culture and arts to provide the medium by which eastern and western Turkey can meet. Anadolu Kültür Board Chairman Osman Kavala says sharing art and culture increases mutual understanding and sensitivity.

Haberin Devamı

Has anybody ever counted the number of civilizations that have made up the mosaic of Anatolia? Over millennia, thousands perhaps? Many have not even left a mark behind.

They came with different languages, customs and cultures and formed a mosaic in which people lived side by side but rarely did they melt into one. And thanks to poor or no roads, few or no communications and a migration that has mostly been from east to west, the east suffered a kind of "brain drain" that brought the most able and the most ambitious into the three major cities of the West in modern times. The troubles in the eastern part of Turkey had long kept artistic and cultural events from happening except sporadically.

Seven years ago, a group of people got together and founded a group called Anadolu Kültür (Anatolian Culture). They point to Rudyard Kipling’s famous line about east never meeting west and how different the two parts of Turkey are. The purpose of this non-profit organization is to enable culture and arts to provide the medium by which these two poles can meet.

Istanbulites are less familiar with this NGO than they should be and that may be because it started in Diyarbakır, one of the largest cities in southeastern Turkey. At first bringing east and west together was visiting exhibits, lectures series, film screenings, theater productions and workshops. It brought the cultural life of the west and east together with their respective creative energies. Although Diyarbakır had a rich historical background and ethnic makeup, it had been caught up in the conflict of the 20 previous years and left with serious problems and a sizeable refugee population.

The Diyarbakır Arts Center (DAC) quickly evolved. It became a stage on which artists could work together in multicultural and multidisciplinary projects. These artists could come from anywhere in the world and ignore their differences of politics, language and culture. Figures tell it all: in four years, DAC has hosted 64 exhibits, nine concerts, 30 theater productions, 195 lectures, 41 workshops, 14 slide exhibits, 194 film screenings and 39 reading sessions by poets and writers that were attended by over 102,000 people. The 131 movies screened at the DAC European Cinema were attended by 46,084 viewers. DAC has been hailed as one of the "Top Cultural Centers of Turkey."

From Diyarbakır to other successes
When Anadolu Kültür turned its attention to Kars, it was with the aim of affecting the entire Caucasus region. The intention is to encourage cultural interaction and dialogue between Armenia, Azerbaijan, Georgia and Turkey. The 2004 Caucasus Cultural Festival was organized by the Kars municipality and led to the opening of the Kars Arts Center (KAC) in 2005. The opening concert featured musicians from Turkey, Armenia, Georgia and Azerbaijan who played in a joint performance attended by, among others, 37 countries’ ambassadors to Turkey.

The work didn’t stop there because in a less than two-year period, KAC had hosted 25 exhibitions, 22 concerts, 13 theater productions and 12 workshops with an attendance of more than 22,500 people. Anadolu Kültürhas extended its reach to more than the two cities of Diyarbakır and Kars. Film screenings have been held in Eskisehir, Samsun, Van, Kahramanmaraş, Gaziantep, Mersin, Izmir, Kayseri and Malatya while a sculpture exhibition was shown in Mersin, Malatya, Gaziantep, Antakya, Izmir and Antalya. Chamber music, modern dance and theater performances occurred in Viransehir and concerts and seminars were held in Batman. The next step on Anadolu Kültür’s agenda is creating civic space in Hakkari, Şemdinli and Yüksekova and already seminars, film screenings and photography exhibitions have been mounted in those three towns.

Prisons have even been invaded with art and now meetings are being held to bring together people who would be interested in developing sustainable cultural policies.

Anadolu Kültür’s center is its Istanbul office where programming is created, new projects developed and all activities supported. The office also brings together groups and individuals with different backgrounds, disciplines and interests to work together on joint projects and form strong teams with common goals.

The organization is celebrating the beginning of its seventh year and has commemorated its work with a book entitled, "A Different Initiative in Culture and Arts: Anadolu Kültür." The many people who have been involved in the NGO’s work have contributed to the book that has been edited by Perran Ersu Özçaldıran. The English edition will be published later.

In the foreword to the book, Anadolu Kültür Board Chairman Osman Kavala emphasizes the belief that by sharing art and culture it will be possible to increase mutual understanding and sensitivity and overcome regional differences and prejudices. He added that they believed that by invigorating cultural life, it will open the way for the town to develop in a form that harmonized with the concept of modern citizenship. That’s a tall order for a single organization to undertake so we shall have to wait and see if their work contributes the goals they want to meet.

Haberin Devamı

 

Haberin Devamı

DEPO to open as cultural debate center in Istanbul

DEPO is a cultural and critical debate center in Istanbul which serves as a platform for artists, artist collectives, civic and cultural organizations in Turkey, the South Caucasus and the Middle East and Balkan countries.

 

The goal is to provide a venue for artistic collaboration and cultural exchange and to encourage reflection on social and political issues relevant to the region.

 

Until the 1990s, Istanbulites had an attitude of tearing down the old and puttin up the new; however, it then began changing as people began to realize the importance of preserving their heritage and renovating an old building was often less expensive than building something new. DEPO was, just as its name implies, a depot or tobacco warehouse at Tophane. In 2005 the Istanbul Biennal brought it to life and it began to be used as an exhibition space.

Haberin Devamı

 

The most recent exhibition was at the beginning of November of this year when an exhibit concerning the blacks of Turkey was shown. A book was published at the same time. Another exhibition told of the remaining members of an ethnic group, the Molokans. These were people who settled in Kars from Russia exiled there when the Russians occupied Kars and stayed there after 1918. While DEPO’s space has continued to be used, it will officially opened in January 2009.

 

DEPO is an initiative on the part of Anadolu Kültürand the latter has financed the renovation of the building and supplied funds for running costs and for preparation of the project until its opening in January. An advisory board consists of seven international arts professionals. It expects to officially become an independent non-profit NGO in 2009.

Haberle ilgili daha fazlası:

BAKMADAN GEÇME!